We talk to the man who put the
Written by
It's been a ghastly year for the J. Paul Getty Trust, as the
multibillion-dollar foundation faces a growing, nasty pile of misconduct
charges. Tabloid-like headlines have been screaming worldwide about exquisite
malfeasance: stolen art, ludicrous expenses for its CEO's travel and
entertain
That low point was followed by a continuing housecleaning of
executives and board
Gunderson and I talked about the role of the COF in regulating the
philanthropy industry, using the Getty situation as an example.
Extre
Steve Gunderson: That's
a great question, and I think it's an evolving process. It's important to know
that up until last year, when the COF had taken disciplinary action of any kind,
it had done so privately. So the foundation that was disciplined knew, but the
public didn't know, the
Q: Not much, right? So
what precipitated the change in COF policy that led to the very public criticism
of the Getty?
A: I made the
recom
Q: However the COF isn't
a governing authority, so the COF wasn't charging the Getty with anything. You
were using the muscle of the public eye to try to force the Getty to recognize
what you perceived to be egregious problems with their
operation?
A: Absolutely. What
we're doing is, if you believe that we ought to engage in self-governance rather
than having increased govern
Q: And that is the
belief of you and the COF? Rather than have the
govern
process?
A: There are certainly
so
Q: Sure, if such
self-policing is successful. Was Getty the first foundation to be on the
receiving end of this new policy?
A: They were the first
to be publicly reprimanded, yes.
Q: And so far are they the only ones to
be publicly reprimanded?
A: The only ones that
have been publicly reprimanded at this ti
Q: And it's after that
process - after a complaint and an inquiry - that you would initiate whatever
series of events leads to a public probation, such as the one the Getty
suffered?
A: The process is what
gets us to a public determination. I
Q: And with Getty, was
that initiated internally, or did so
A: You know what? I
can't answer that.
Q: Okay. Now, the
charges against Getty are consequential: using assets for personal benefit,
excessive travel and entertain
A: The charges that have
been leveled against the Getty have been very serious. A lot of them relate to
issues that would be more appropriately investigated by the California Attorney
General.
Q: . . . who is indeed
doing that.
A: Who is doing just
that. We look at the appropriate standards and official conduct as established
by the ethical standards of the COF when we review a complaint. Members have to
sign an ethical conduct state
Q: Right, in other
words: How did they get into this
A: Yeah. Our goal is not
to censor. It's not to use so
What we really want to do is use both that public leverage of a
public decision, such as probation, and the private support of providing
so
Q: So you imposed
yourselves - with their approval, at their invitation probably - but you were
invasive. You did not simply make an
announce
A: [laughs] I don't know
that it was with their invitation. I would suggest to you it was not.
Q: So they were
resistant?
A: To be honest with
you, part of the reason for the probation was a result of a lack of cooperation
by the Getty leadership at that ti
Q: And did they realize
what a
A: That's a great
question, and I can't com
Q: "Intervention" is a
good word. And so once that intervention started, were they cooperative, or was
it like pulling teeth to get appropriate responses?
A: Well
re
Q: Yeah, but they still
had so
A: That's right. But we
were never convinced of how much the board knew about what was happening with
the senior executive leadership there. That the board and the executive
leadership. All of this relates to issues about appropriate governance.
Q: Because even if Barry
Munitz were doing so
A: That's right.
Q: So even if they were
ignorant, they're still at fault because they're supposed to be monitoring
him.
A: That's correct. It
goes back again, at least from our perspective, to the question: Do you have the
oversight, accountability, and governance functions in place for a board so that
a president and CEO does not have the ability to impose certain activities upon
the board and the foundation with little or no resistance?
Q: Was part of the
problem that Munitz stacked the board with his own supporters, who he knew would
be loyal to him, as he engaged in the activities your probation notice
criticized?
A: Well, you know, I
can't answer that. [pauses] Um, that may be the case.
Q: What were the
A: The process starts
with the complaints. Our legal depart
Q: But you didn't simply
criticize them and discipline them, you extended a hand. You offered to
help.
A: We offered them our
professional assistance. They accepted that. As a result, we sent two of our
senior staff
Q: That's not free. Who
paid for that?
A: We pay for that. I'm
quite proud of this organization because it is absolutely committed to the
highest ethical standards in the philanthropic community. You know, there are
so
Q: That must make you
quite proud to be leading an organization like
that.
A: Absolutely.
Q: So then your experts
made the recom
A: No. We required
evidence that the Getty was making the changes before we chose to remove them
from probation. And we have both specific changes in their bylaws and the
evidence of the minutes of their
Q: And the changes in
so
A: And the changes in
personnel. But we saw this as a much bigger issue than just a personnel issue.
It wasn't just "Fire Barry Munitz and we'll take you off probation." That was
never the goal of the COF.
Q: Because there was an
institutional problem?
A: Yes.
Q: And does that
co
A: It's one of the big
challenges that I personally, as the head of this organization - and this
organization itself - face. There are many foundations that simply don't have
access to the legal expertise and advisors to know exactly what is right or
wrong. If you saw the number of applications to join the COF that, when we look
over their paperwork, we say, wait a minute, this is a mistake, this is a
mistake, and this is a mistake. They say, "I had no idea." I
re
Q: Incredible. What a
clear state
A: What we need to do is
find appropriate balance in situations like that. We want to encourage the
growth of philanthropy. We want to work with these individuals. We want to give
them the benefit of our expertise, our educational programs, and our legal
assistance, because we want him to have a foundation. We don't want him to go
out of business. At the sa
Q: There may have been a
cultural acceptance of excess in organizations for a while in our society. Is it
possible that so
A: I don't think there's
any doubt about that. Many of these people are private businesspeople who made
money on their own, and they've never had codes, bylaws, codes of ethics, or
boards, and they say, "What is all this stuff?" [laughs]
Q: They live in their
own world.
A: They're not
criminals. They're not villains. They just are not in tune with the reality that
once you put that money into a foundation, it's really a public trust.
Q: How does a foundation
cited, like the Getty, get that public trust back? Now that you've taken them
off probation, is it the old story that the headline persists, but the
correction is on the back page of the newspaper?
A: I think that there's
so
Q: So you're saying then
that the Getty is clean now?
A: We believe that the
present leadership, Deborah Marrow [interim president and CEO], and certainly
the changes in governance in the board, suggest that they are moving in the
right direction. Our board voted unanimously to take them off probation.
Q: But moving in the
right direction is not quite a clean bill of
health.
A: We required that they
didn't just commit [to change], they had to prove to us that they'd done it.
They changed their bylaws. Now, is there the potential that
so
Q: And you'll look very
closely at what the Attorney General's office
co
A: Well, I don't think
there's any question that we will, if and when the Attorney General's office
makes so
Q: And the
sa
A: We will keep our eyes
and our ears tuned to all news on this
or any other foundation.
Q: How do you feel about
the Getty case at this point? The COF must feel pretty great that it imposed
these requests for change and got the results.
A: Yeah, we feel good.
The process worked in the case of the Getty. But in all honesty, it worked
because the new leadership there wanted it to work. With the growth of
philanthropy, so
Q: And that might
A: Well it's not okay
from our perspective, because every foundation out there that engages in
misconduct gives a bad mark to all of us, the ninety-nine percent who engage in
appropriate, high ethical standards. We are very concerned about that. We all
pay the price.
Q: You cite the increase
in philanthropy. Are we giving away more money?
A: We are looking at a
dramatic increase in the growth of philanthropy, primarily because of
generational demographics. You're looking at both the World War II generation
and the baby-boom generation. We have now hit over $500 billion in foundation
assets in this country. We gave out over $30 billion in foundation grants in
2004, the most recent year for which we have data. According to the World Bank,
over the next thirty to forty years, that will increase tenfold. And that was
before Warren Buffett's announce
Q: Those impressive
figures don't help take govern
A: Oh, boy, if you want
to get the dander up in the philanthropic community, you tell them they're
supposed to step in where govern
Q: But that's a danger
isn't it, especially at a ti
A: It's obviously a
challenge. What we need to do is explain the difference between philanthropy and
the public sector. You could take all of philanthropy, all of our assets today,
the entire $500 billion dollars, and that doesn't match one year of the federal
budget.
Q:
Right.
A: So we can't compete
in that regard. Unlike the public sector and the public dollars, philanthropy is
Q: And
govern
A: That's
right.
More Articles:
The Rythm of
Giving
Musician and super producer
Narada Michael Walden.
Philanthropy
Rocks!
Join Bruce Cohn and his rollicking concerts in Napa
Valley.